How to Connect
Please contact apl_info@uni-ak.ac.at for a first exchange. Interested students can introduce their projects and research focus. Based on the available list of artists and lecturers and fitting for your requirements we will match you up. From then on agreements about the frequency, duration and form of contact will be negotiated with your new partner in dialogue. Please contact apl_info@uni-ak.ac.at for an appointment and more information.Artists in Winter Semester 2022
#FirstDoThenThink #Improvisation #Composition #NewMedia #Interactivity
Stefano D’Alessio is a new media artist, performer, composer and all-round tech nerd.
He creates audio-visual compositions using media technologies as performing partners.
His research is in developing interactive environments that balance between being playable as expressive instruments, understandable in their dynamics and able to convey meaning.
He regularly holds workshops, lectures and coaches interactivity for art and performance.
Stefano D'Alessio
audio-visual artist
He is looking forward to support projects that works with time-based composition and / or the use of new media and interactivity and / or needs advice on audio/visual technologies and virtual environments.
#somatic extasy #undisciplinary #nanopolitical #forms of togetherness #immanence
Mariella Greil, PhD works as artist & researcher focusing on contemporary performance, especially its ramifications into the choreographic and the ethical.
She currently pursues her habilitation project ‘Choreo-ethical Assemblages – Narrations of Bare Bodies’ (Elise-Richter-PEEK).
For her, creative research is a collaborative, politicized practice setting communicative processes in motion, enabling performative encounters and experiments. She uses expanded choreography and somatic practices as compositional tools.
She supports you with a practice as research approach, feedback frames, somatic & ideokinetic training and her curiosity in choreographing shifts of perception.
#architecture #disussion #hot performances #love
He works as visual artist in performance and has developed exhibitions, installations and interventions in public space.
Within performative sculptures his works combine categories and media formats with opposing connotations to define them in terms of relationality. He is creating spatial images where often objects and viewers fuse.
He teaches as an assistant at the Angewandte in the department of Transmedia Art_Prof. Brigitte Kowanz
As teacher and coach in Summer 2021 he is open to develop via online meetings any artistic idea and concept in a dialogue form starting from whatever stage and medium.
#wonderofordinarythings #alchemy #visuallandscapes #performativeritual #naivescience
She works as a maker & dancer in various collaborative settings. Her work is a meeting of choreographic and visual art practices
Asher collaborates closely with raw materials drawing out their physical performative agency. She highlights the tactile, visual, sensuous and existential nature of things to reveal the wonder of the “ordinary”; making what is often unobserved or overlooked, visible. Thus challenging the hegemony of anthropocentrism.
She offers compositional & choreographic tools; physical awareness & performance techniques and gladly shares her knowledge of production & funding. Her speciality - collaboration with; raw materials/objects /sculptures.
#digital thinking #embodiment #body-machine dialogue #composition #autopoiesis
Marie-Claude Poulin has developed an approach that she describes as “technosomatic”, a compositional methodology of hybridization in the autopoietic body-machine dialogues, where human and technological factors merge. This includes improvisation, movement analysis, and somatic visualization practices based on the awareness of bodily systems.
Transdisciplinary researcher, digital artist, choreographer and movement expert, Marie-Claude performed with Meg Stuart and Benoît Lachambre in the 1990s and co-founded the artistic company kondition pluriel in 2000. She is Senior Artist and performance teacher at the Dept. of Digital Arts and artistic researcher at the Dept. of Media Theory.
Marie-Claude Poulin
Technosomatic Approach
She guides artists to transfer their tools and knowledge into the realm of the body and stimulates their sensorimotor perceptions, fostering heterogeneous artistic processes beyond disciplinary fields.
#ShineBrightLikeADiamond #Happynism #Motivation #BecomeAPro #TrashPop
Barbis Ruder is a performance and media artist. She currently does her PHD in artistic research at Angewandte and is Senior Artist at the Angewandte Performance Laboratory.
Her research focus is on physicality of the performing body and corporative body, body & object Intersection, performative disobedience, Pop Culture and Music.
From ideas to doing: her focus is to get you going and help overcoming personal resistance and fears when getting into performative actions.
In the Summer semester she is happy to support in setting up performative online environments and dramaturgies that fit to the screen medium. She also can give hands on advice and support in project management and rehearsal planning for performances planned for the analogue times in Summer and later.
impossible systems, choreographic clues, reality-glitches
Charlotta Ruth works with choreography, conceptual instructions and game-design.
At Angewandte she’s doing a PhD in artistic research and is employed inside the PEEK Research Project Neuromatic Game Art. Ruth’s practice based research focuses on liveness in online to offline environments; creating systems, misusing technology and experimenting with other ways of being in the world.
She regularly coaches choreography, participatory game structures as well as performance documentation.
Charlotta Ruth
Choreography, Concepts & Game Design
She’s curious to support your ongoing practice with methodological input as well as dramaturgical support for performances, game-structures and online experiments.
#Performance in the Mind #abundance in emptiness #haptic sense #memory #mindfulness
Jasmin Schaitl is a performer and visual artist. She is currently employed in the PEEK Project DEMEDARTS Dementia.Empathy.Education.Arts and enrolled in a PhD in artistic research at the Academy of Art and Design in Wroclaw (PL).
Her interest in performative practices focuses on the intersection of: the act of touching and (not) being touched and its effects, the materiality of objects, and the process of memorization.
Jasmin is looking at the juxtaposition of presence versus absence and questions what remains or becomes present or absent.
She is excited to support in extracting the essence of your idea or ongoing performative process, and in refining and developing structures and formats for live-performances, including one to one formats.
#experience design #microperformativity #experiment #co-corporeality
Lucie Strecker, a Vienna and Berlin based artist, performer and researcher, is exploring experimental systems in regard to a post-anthropocentric notion of performativity, including material, affective, scientific and natural-cultural hybrids. She is looking for new modalities of microperformative perception and co-corporeality. Performing, exhibiting and publishing internationally, she has taught Performance Art and Experience Design at the Free University of Bozen-Bolzano and the Berlin University of the Arts. At the Art & Science department of the University of Applied Arts Vienna she is conducting the FWF Elise-Richter-PEEK project ‚The Performative Biofact‘.
Lucie Strecker
Microperformativity & Experiments
