{"id":1215,"date":"2021-05-31T10:58:03","date_gmt":"2021-05-31T10:58:03","guid":{"rendered":"https:\/\/apl.uni-ak.ac.at\/?page_id=1215"},"modified":"2025-05-20T14:43:01","modified_gmt":"2025-05-20T14:43:01","slug":"peek-projects","status":"publish","type":"page","link":"https:\/\/apl.uni-ak.ac.at\/index.php\/research\/peek-projects\/","title":{"rendered":"PEEK-Projects"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1215\" class=\"elementor elementor-1215\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9cd2ca2 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9cd2ca2\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c92d701\" data-id=\"c92d701\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8b157d0 elementor-widget elementor-widget-heading\" data-id=\"8b157d0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Austrian Science Fund (FWF): <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9290005 elementor-widget elementor-widget-spacer\" data-id=\"9290005\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fd0db03 elementor-widget elementor-widget-heading\" data-id=\"fd0db03\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Programme for Arts-based Research (PEEK)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-4eb1782 e-flex e-con-boxed e-con e-parent\" data-id=\"4eb1782\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-0ec5f90 elementor-widget elementor-widget-text-editor\" data-id=\"0ec5f90\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Shaken Grounds. Seismography of Precarious Presences<\/strong><\/p><p>Angewandte Performance Lab<\/p><p>Bewilligungsdatum: September 2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-39b3804 elementor-widget elementor-widget-spacer\" data-id=\"39b3804\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-87b63ec elementor-widget elementor-widget-text-editor\" data-id=\"87b63ec\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Dancing with the Nonhuman: An Aesthetics of Encounter <\/strong><\/p><p>Institut f\u00fcr Bildende und Mediale Kunst &#8211; Abteilung Medientheorie<\/p><p>Bewilligungsdatum: Juni 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-214b9b0 elementor-widget elementor-widget-text-editor\" data-id=\"214b9b0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Contingent Agencies<\/strong><\/p><p>Institut f\u00fcr Bildende und Mediale Kunst<\/p><p>Bewilligungsdatum: Dezember 2018<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c677a8c elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"c677a8c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c62fdd7 elementor-widget elementor-widget-heading\" data-id=\"c62fdd7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Richter-PEEK Programm<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e2f0aaf elementor-widget elementor-widget-text-editor\" data-id=\"e2f0aaf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Choreo-ethical Assemblages \u2013 Narrations of Bare Bodies<\/strong><\/p><p>Art and Communication Practices<\/p><p>Approval date: \u00a0March 2019<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ae5e9d7 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"ae5e9d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-26969c0 elementor-widget elementor-widget-heading\" data-id=\"26969c0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Shaken Gounds. Seismography of Precarious Presences<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-8ad2cd5 e-flex e-con-boxed e-con e-parent\" data-id=\"8ad2cd5\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7e648f2 elementor-widget elementor-widget-image\" data-id=\"7e648f2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-1024x576.jpg\" class=\"attachment-large size-large wp-image-3596\" alt=\"\" srcset=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-1024x576.jpg 1024w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-300x169.jpg 300w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-768x432.jpg 768w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-1536x864.jpg 1536w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-2048x1152.jpg 2048w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-1000x563.jpg 1000w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-230x129.jpg 230w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-350x197.jpg 350w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2025\/05\/Still-Shaken-Grounds-KH-2025-03-09-225118_1.7.1-480x270.jpg 480w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Videostill by Victor Jaschke<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-518a030 elementor-widget elementor-widget-text-editor\" data-id=\"518a030\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0.0001pt; font-size: medium; font-family: Calibri, sans-serif;\"><strong>Shaken Grounds. Seismography of Precarious Presences<\/strong> is an artistic research project that explores the artist&#8217;s role as a seismograph in the intricate relationship between humanity and an evolving, technologically influenced geological environment. Throughout history, worship sites have been constructed where humans connect with the Earth&#8217;s interior\u2014volcanoes, fissures, and caves\u2014echoing a geological time beyond individual, human lifespans. Rituals enacted at these sites transform perceptions of time, cultivating a heightened responsibility towards the future.<\/p><p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0.0001pt; font-size: medium; font-family: Calibri, sans-serif;\">The Oracle of Delphi stands as a renowned example, where mind-expanding gases emerged from rock seams to the surface and influenced predictions. Today, humans are extensively harnessing the Earth&#8217;s interior, altering surface stress distribution through i.a. mineral extraction, rising water levels, CO2storage or geothermal power generation, even triggering earthquakes. This interdependency underscores the inseparable link between humanity and the planet&#8217;s structure, revealed through shockwaves.<\/p><p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0.0001pt; font-size: medium; font-family: Calibri, sans-serif;\">Across cultures and epochs, artists have been declared seismographs (Riedl, 2014), capable of sensing and articulating forthcoming dynamics or shocks. Although ideas about the role of artists have changed and art has long been deprived of its special status (Luhmann, 1995), transdisciplinary artistic research in alliance with the sciences is said to be able to produce innovative solutions for the future of an ecologically, politically and economically shaken world community. In this research project, a transdisciplinary team re-explores the role of artists as seismographs to train their perception at selected sites of seismic activity. Man-made earthquakes are a phenomenon that has only recently gained prominence, and few artists have addressed the issue. This research endeavor investigates this phenomenon through artistic research, aiming to foster a new socio-ecological consciousness. Our focus encompasses artistic-performative methodologies, anthropology, geology, and body awareness through somatic-therapeutic techniques, offering avenues for addressing the human-induced shockwaves of the Anthropocene.<\/p><p class=\"MsoNormal\" style=\"margin: 0cm 0cm 0.0001pt; font-size: medium; font-family: Calibri, sans-serif;\"><strong>Shaken Grounds. Seismography of Precarious Presences<\/strong> is hosted by the Angewandte Performance Lab (APL) at the University of Applied Arts Vienna led by artists Nikolaus Gansterer, Mariella Greil, Peter Kozek, and Lucie Strecker, alongside international collaborators.<\/p><p>\u00a0<\/p><p style=\"font-weight: 400;\">PROJECTPARTNERS<\/p><ul><li>BMEIA (together with Austrian Cultural Forum Rome and K\u00fcnstlerhaus Vereinigung Vienna, AT)<\/li><li>Bjarki Bragasson (Artist &amp; Head of Fine Art Department at Iceland University of Arts, IS)<\/li><li>Joseph Dodds (Psychoanalyst, Czech Psychoanalytical Society, CZ, and International Psychoanalytical Association)<\/li><li>Oscar Fernandez Bellon (Structural Geologist, University of Vienna, Department of Geology)<\/li><li>Sabine Folie (Art Historian, Curator, Wirter, Director of the Art Collections of the Academy of Fine Arts Vienna, AT)<\/li><li>Helga Franza (Volcanic Attitude Festival, Milano\/Naples, IT)<\/li><li>Victor Jaschke (Filmmaker and Interactor, AT)<\/li><li>VestAndPage (Verena Stenke, Artist and Andrea Pagnes, Artist and Writer, DE\/IT)<\/li><li>Nicola Fornoni,( Performance Artist, IT)<\/li><li>MAXXI, National Museum of 21st Century Arts, Rome, IT<\/li><li>Sandro de Vita (Vulcanologist, National Institute of Geophysics and Volcanology and INGV &#8211; Osservatorio Vesuviano, Naples, IT)<\/li><li>Werner Moebius (Sound Artist, AT)<\/li><li>Nicolas Freytag (Painter, CH)<\/li><\/ul><p><a href=\"https:\/\/www.shaken-grounds.org\/\">https:\/\/www.shaken-grounds.org\/<\/a><\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f72ab60 elementor-widget elementor-widget-spacer\" data-id=\"f72ab60\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bf3949b elementor-widget elementor-widget-heading\" data-id=\"bf3949b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Dancing with the Nonhuman: An Aesthetics of Encounter <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-214ffcc elementor-widget elementor-widget-text-editor\" data-id=\"214ffcc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Institut f\u00fcr Bildende und Mediale Kunst &#8211; Abteilung Medientheorie<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-81f5b14 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"81f5b14\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-118e93f\" data-id=\"118e93f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b10c662 elementor-widget elementor-widget-image\" data-id=\"b10c662\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"830\" src=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-1024x830.jpg\" class=\"attachment-large size-large wp-image-1217\" alt=\"\" srcset=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-1024x830.jpg 1024w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-300x243.jpg 300w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-768x623.jpg 768w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-1536x1245.jpg 1536w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-2048x1660.jpg 2048w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-830x673.jpg 830w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-230x186.jpg 230w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-350x284.jpg 350w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/MML_Amata_MC-CP_collage_cPetraGemeinboeck_inthephoto_MCP-480x389.jpg 480w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">(c) PetraGemeinboeck\nin the photo: Marie-Claude Poulin<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-f4673a4\" data-id=\"f4673a4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f495ab0 elementor-widget elementor-widget-text-editor\" data-id=\"f495ab0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The robots are coming! The vision of our sociotechnical future with robot companions, co-workers and caretakers is fueled with machines that look like us.<\/p><p>The project \u2018Dancing with the Nonhuman&#8217; puts forward a counter proposition to this mechanical charade by embracing the machinic and its aesthetic potential. Bringing together experimental methods from creative robotics and choreography, feminist perspectives and concepts from embodied cognition,\u00a0the project investigates performative ecologies of human-robot encounters. It develops an extended performance-making practice spanning choreographic experiments with human-nonhuman configurations; a Laban\/Bartenieff inspired movement analysis\/language for machinelike robots; and embodied machine learning. Movement and its potential for dynamic, generative, relation-making as a mode of research and knowledge production becomes the tool for re-imagining our relationships with robots without a humanlike veneer. This relational enactment of empathic, intra-bodily resonances begins with a choreographic score that provokes fluctuating morphologies, dispositions, and identities between a human performer and an abstract machine performer. Subject-object boundaries are broken down and, in their place, fluent forms of presence and agency emerge, and with-it social notions of the other, nonhuman.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-175b298 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"175b298\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9e0bbc1\" data-id=\"9e0bbc1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-beee40d elementor-widget elementor-widget-text-editor\" data-id=\"beee40d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>Dancing with the Nonhuman <\/em>is funded through the PEEK Programme, Austrian Science Fund (FWF), 2019-22, and part of the ongoing research programme Machine Movement Lab (MML), founded in 2015 by Petra Gemeinb\u00f6ck and Rob Saunders.<\/p><p><strong>Project team:<\/strong><\/p><ul><li>Petra Gemeinb\u00f6ck (project lead)<\/li><li>Marie-Claude Poulin (choreography research)<\/li><li>Rob Saunders (mechatronics\/machine learning)<\/li><li>Roos van Berkel (Laban\/Bartenieff movement analysis)<\/li><li>Rochelle Haley (staging research)<\/li><\/ul><p><a href=\"http:\/\/www.machinemovementlab.net\" target=\"_blank\" rel=\"noopener\">www.machinemovementlab.net<\/a><\/p><p><a href=\"http:\/\/www.frontiersin.org\/articles\/10.3389\/frobt.2020.577900\/full#B75\" target=\"_blank\" rel=\"noopener\">www.frontiersin.org\/articles\/10.3389\/frobt.2020.577900\/full#B75<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-15cd629 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"15cd629\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7efd022 elementor-widget elementor-widget-heading\" data-id=\"7efd022\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Contingent Agencies<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b41bc7f elementor-widget elementor-widget-text-editor\" data-id=\"b41bc7f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>Contingent Agencies is an artistic research project inquiring into a subject matter, which is central for artistic and performative practices and has been denominated with different terms: &#8220;atmosphere&#8221;, &#8220;mood&#8221;, &#8220;situation&#8221;, &#8220;place&#8221;, &#8220;environment&#8221; or &#8220;figure&#8221;.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5364b34 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5364b34\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-6b01580\" data-id=\"6b01580\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-365fe0e elementor-widget elementor-widget-image\" data-id=\"365fe0e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-1024x682.jpeg\" class=\"attachment-large size-large wp-image-1218\" alt=\"\" srcset=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-1024x682.jpeg 1024w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-300x200.jpeg 300w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-768x512.jpeg 768w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-830x553.jpeg 830w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-230x153.jpeg 230w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-350x233.jpeg 350w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-480x320.jpeg 480w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">(c) Alex Arteaga<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-a9318fe\" data-id=\"a9318fe\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75c14f0 elementor-widget elementor-widget-text-editor\" data-id=\"75c14f0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>All these expressions stand for a kind of presence, which is basically characterized as significant but non-objectified, precise and at the same moment vague, ephemeral and enveloping. It is a kind of presence that emerges on a level of body-mind encompassing the person to whom it appears due to the complex interaction between all components of the situation in which it arises. This project focuses on the research of one central aspect of this kind of presence that has been often overseen: the agency of the situation\u2019s components that allow it to arise. We ask: What is the specific agency of the different elements that enable the emergence of ephemeral environments?<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c9b7861 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c9b7861\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e4a34e7\" data-id=\"e4a34e7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-27b3593 elementor-widget elementor-widget-text-editor\" data-id=\"27b3593\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>This inquiry takes a phenomenological and enactivist approach, which enables a fruitful combination of an experienced-based access to the object of research and a system-oriented perspective. The structure of the project is based on individual research cells: spatio-temporally defined units within which practices of notation individually or collectively are performed, which in turn serve as the basis for further practices of reflection.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-04f031f elementor-widget elementor-widget-text-editor\" data-id=\"04f031f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em><strong>Project Team:<\/strong><\/em><\/p><ul><li><em>Nikolaus Gansterer\u00a0 (principal investigator)<\/em><\/li><li><em>Alex Arteaga (key researcher)<\/em><\/li><\/ul><p><em><a href=\"https:\/\/www.contingentagencies.net\/\">https:\/\/www.contingentagencies.net\/<\/a><\/em><\/p><p><em><strong>Keywords: <\/strong>experimental notation, enactivist phenomenology, emergent environments, embodied knowledge<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a7e99d0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a7e99d0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a3b0a3d\" data-id=\"a3b0a3d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b3463d2 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"b3463d2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-01e7cca elementor-widget elementor-widget-heading\" data-id=\"01e7cca\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Choreo-ethical Assemblages \u2013 Narrations of Bare Bodies<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b415ae0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b415ae0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-66f6f66\" data-id=\"66f6f66\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ae81996 elementor-widget elementor-widget-text-editor\" data-id=\"ae81996\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>A variety of choreo-ethical, inter-subjective and transdisciplinary encounters explore the movements and interstices between the fields of Performance, Philosophy and Therapy. Scrutinizing and staging the relations and intersections between the three research areas lies its focus on practices of <span style=\"text-decoration: underline;\">Being-In-Contact<\/span> to investigate, reflect and synthesise the sharings and differences between them. The conceptual bearing of <span style=\"text-decoration: underline;\">choreo-ethical assemblages<\/span> as highly mobile assemblies bound to aesthetic-communicative situations gets probed in practice.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-74550fb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"74550fb\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-7c0c634\" data-id=\"7c0c634\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ea92e12 elementor-widget elementor-widget-image\" data-id=\"ea92e12\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-1024x683.jpg\" class=\"attachment-large size-large wp-image-1222\" alt=\"\" srcset=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-1024x683.jpg 1024w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-300x200.jpg 300w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-768x512.jpg 768w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-1536x1024.jpg 1536w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-2048x1365.jpg 2048w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-830x553.jpg 830w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-230x153.jpg 230w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-350x233.jpg 350w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-480x320.jpg 480w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">(c) Mariella Greil<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-232359e\" data-id=\"232359e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-90b65ed elementor-widget elementor-widget-text-editor\" data-id=\"90b65ed\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>In the lab setting of a choreo-graphic environment, diffractive dialogue practices are tested with colleagues across the three research fields. The hypothesis is that such assemblages arise in art, philosophy and therapeutic settings alike and the proposition is to explore how choreo-ethics \u2013 a newly coined term \u2013 have the capacity to activate processes, that form the fabric of social aesthetics through performative tools. Techniques of getting in touch, nurturing attention, thinking \u2013 through and with \u2013 arise as sensorial bodies. Based on experiences and acts interwoven with micro-phenomenological interviews, this project works towards actualisations of politicised practice and articulations of immanent ethical forces, emerging where encounters, collisions and generative resistances occur between people, but also between fields of practices.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-571a868 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"571a868\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-30ef36b\" data-id=\"30ef36b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7574f65 elementor-widget elementor-widget-text-editor\" data-id=\"7574f65\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong><em>Project Team:<\/em><\/strong><\/p><ul><li><em>Mariella Greil (principal investigator)<\/em><\/li><li><em>Walter Lauterer (dialogue partner \u2013 choreographic environment)<\/em><\/li><li><em>Werner Moebius (dialogue partner \u2013 sound)<\/em><\/li><\/ul><p><strong><em>Keywords: <\/em><\/strong><em>choreo-ethics \/ diffractive dialogue score \/ polylogic lab<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0479c58 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"0479c58\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d8c176f elementor-widget elementor-widget-text-editor\" data-id=\"d8c176f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>German Version below<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9f0ef79 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"9f0ef79\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ebacab7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ebacab7\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8ff2774\" data-id=\"8ff2774\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-53670f8 elementor-widget elementor-widget-heading\" data-id=\"53670f8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Contingent Agencies<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-44997d9 elementor-widget elementor-widget-text-editor\" data-id=\"44997d9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Contingent Agencies ist ein k\u00fcnstlerisches Forschungsprojekt zur Erschlie\u00dfung einer Thematik, die wesentlich f\u00fcr alle k\u00fcnstlerischen und performativen Praktiken ist und die mit verschiedenen Begriffen bezeichnet wird: \u201cAtmosph\u00e4re\u201d, \u201cStimmung\u201d, \u201cSituation\u201d, \u201cOrt\u201d, \u201cUmwelt\u201d oder \u201cFigur\u201d. \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e0626b8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e0626b8\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-626e023\" data-id=\"626e023\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9f5a4f9 elementor-widget elementor-widget-image\" data-id=\"9f5a4f9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-1024x682.jpeg\" class=\"attachment-large size-large wp-image-1218\" alt=\"\" srcset=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-1024x682.jpeg 1024w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-300x200.jpeg 300w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-768x512.jpeg 768w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-830x553.jpeg 830w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-230x153.jpeg 230w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-350x233.jpeg 350w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image-480x320.jpeg 480w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Gansterer_Contingent-Agencies-image.jpeg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">(c) Alex Arteaga<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-c11f575\" data-id=\"c11f575\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f47fed4 elementor-widget elementor-widget-text-editor\" data-id=\"f47fed4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>All diese Ausdr\u00fccke stehen f\u00fcr eine Art von Pr\u00e4senz, die grunds\u00e4tzlich als signifikant aber ungegenst\u00e4ndlich, pr\u00e4zise und zugleich vage, verg\u00e4nglich und allumfassend charakterisiert wird. \u00a0Es handelt sich dabei um eine Form von Pr\u00e4senz, die im Zuge ihres Entstehens aufgrund der komplexen Wechselwirkung zwischen allen Elementen einer Situation, in der sie auftritt, die Person, der sie erscheint, ganzk\u00f6rperlich erfasst und umgibt. \u00a0Dieses Projekt richtet seine Aufmerksamkeit auf die Erforschung des zentralen Aspekts dieser Form von Pr\u00e4senz, der bisher unbeachtet blieb: die Agenz (Wirksamkeit) der Komponenten der Situation, die ihr Erscheinen erm\u00f6glicht. Wir fragen uns: Was ist die spezifische Agenz der verschiedenen Elemente, die die Emergenz von ephemeren Umgebungen erm\u00f6glichen?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-93f1b8a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"93f1b8a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-43865a6\" data-id=\"43865a6\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e384729 elementor-widget elementor-widget-text-editor\" data-id=\"e384729\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Die Untersuchung folgt einem ph\u00e4nomenologisch und enaktivistischen Ansatz, der eine ergiebige Kombination aus erfahrungsbasierten und systemorientierten Herangehensweisen er\u00f6ffnet. Die Struktur des Projektes beruht auf einzelnen research cells: raum-zeitliche definierte Einheiten, innerhalb derer Praktiken der Notation einzeln oder im Kollektiv performt werden, die wiederum als Grundlage f\u00fcr weitere Praktiken der Reflexion dienen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fc82210 elementor-widget elementor-widget-text-editor\" data-id=\"fc82210\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Projektteam:<\/p><ul><li>Nikolaus Gansterer\u00a0 (Projektleitung)<\/li><li>Alex Arteaga (Projektmitarbeit)<\/li><\/ul><p><a href=\"https:\/\/www.contingentagencies.net\/\">https:\/\/www.contingentagencies.net\/<\/a><\/p><p><strong>Keywords: <\/strong>experimental notation, enactivist phenomenology, emergent environments, embodied knowledge<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-70d7cdd elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"70d7cdd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cc2413d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cc2413d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-50a810a\" data-id=\"50a810a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b291a31 elementor-widget elementor-widget-heading\" data-id=\"b291a31\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Choreo-ethische Assemblagen<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-17cc8e7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"17cc8e7\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-de90625\" data-id=\"de90625\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-05b91ec elementor-widget elementor-widget-text-editor\" data-id=\"05b91ec\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Vielgestaltig erforschen choreo-ethische, inter-subjektive und transdisziplin\u00e4re Begegnungen die Zwischenr\u00e4ume zwischen Performance, Philosophie und Therapie. Die Untersuchung und Inszenierung der Beziehungen und Schnittstellen zwischen den drei Forschungsbereichen legt den Fokus auf das <em>In-Kontakt-Sein<\/em>, um Gemeinsames und Unterschiedliches heraus zu arbeiten, zu reflektieren und neu zusammen zu bringen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f69b903 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f69b903\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-8ebd108\" data-id=\"8ebd108\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3097368 elementor-widget elementor-widget-image\" data-id=\"3097368\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-1024x683.jpg\" class=\"attachment-large size-large wp-image-1222\" alt=\"\" srcset=\"https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-1024x683.jpg 1024w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-300x200.jpg 300w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-768x512.jpg 768w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-1536x1024.jpg 1536w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-2048x1365.jpg 2048w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-830x553.jpg 830w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-230x153.jpg 230w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-350x233.jpg 350w, https:\/\/apl.uni-ak.ac.at\/wp-content\/uploads\/2021\/05\/Choreo-ethical_for-APL-480x320.jpg 480w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">(c) Mariella Greil<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-3e4f133\" data-id=\"3e4f133\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e84f5ba elementor-widget elementor-widget-text-editor\" data-id=\"e84f5ba\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Die konzeptionelle Tragweite von <em>choreo-ethischen Assemblagen<\/em> als hochmobile Kompositionen, die an \u00e4sthetisch-kommunikative Situationen gebunden sind, wird in der Praxis untersucht.<\/p><p>Im Laborsetting einer choreografischen Umgebung werden diffraktive Dialogpraktiken mit KollegInnen aus den drei Forschungsbereichen getestet. Die Hypothese ist, dass solche Assemblagen in Kunst, Philosophie und therapeutischen Umgebungen gleicherma\u00dfen entstehen, und es darum geht zu untersuchen, wie Choreo-Ethik &#8211; ein von mir neu gepr\u00e4gter Begriff &#8211; die F\u00e4higkeit besitzt, Prozesse zu aktivieren, die das sozial-\u00e4sthetische Gef\u00fcge durch performative Werkzeuge gestalten. Techniken des Anr\u00fchrens, des N\u00e4hrens der Aufmerksamkeit, des Durchdenkens und Durcharbeitens zeigen sich als sensorische K\u00f6rper.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-40b7287 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"40b7287\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ffe3d1f\" data-id=\"ffe3d1f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-825500e elementor-widget elementor-widget-text-editor\" data-id=\"825500e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Basierend auf Erfahrungen und Handlungen, die mit mikroph\u00e4nomenologischen Interviews verwoben sind, arbeitet dieses Projekt an der Aktualisierung politisierter Praxis und Artikulationen immanenter ethischer Kr\u00e4fte. Diese zeigen sich dann, wenn Begegnungen, Kollisionen und generative Widerst\u00e4nde zwischen Menschen, aber auch zwischen Praxisfeldern stattfinden.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8632df9 elementor-widget elementor-widget-text-editor\" data-id=\"8632df9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Projektteam:<\/strong><\/p><ul><li>Mariella Greil (Projektleitung)<\/li><li>Walter Lauterer (Dialogpartner \u2013 Choreographisches Environment)<\/li><li>Werner Moebius (Dialogpartner \u2013 Sound)<\/li><\/ul><p><strong>Keywords:<\/strong> Choreo-ethik \/ Diffraktiver Dialog Score \/ Polylogisches Labor<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Austrian Science Fund (FWF): Programme for Arts-based Research (PEEK) Shaken Grounds. Seismography of Precarious Presences Angewandte Performance Lab Bewilligungsdatum: September 2023 Dancing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1047,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1215","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/1215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/comments?post=1215"}],"version-history":[{"count":31,"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/1215\/revisions"}],"predecessor-version":[{"id":3612,"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/1215\/revisions\/3612"}],"up":[{"embeddable":true,"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/pages\/1047"}],"wp:attachment":[{"href":"https:\/\/apl.uni-ak.ac.at\/index.php\/wp-json\/wp\/v2\/media?parent=1215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}