{"id":133,"date":"2019-11-10T15:34:23","date_gmt":"2019-11-10T15:34:23","guid":{"rendered":"https:\/\/apl.uni-ak.ac.at\/?page_id=133"},"modified":"2026-03-05T05:37:05","modified_gmt":"2026-03-05T05:37:05","slug":"associated-courses","status":"publish","type":"page","link":"https:\/\/apl.uni-ak.ac.at\/index.php\/associated-courses\/","title":{"rendered":"APL Courses"},"content":{"rendered":"\t\t
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List of APL's courses and seminars in 2026 SS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Somatics and Embodiment<\/strong> (Mariella Greil-M\u00f6bius)<\/a><\/p>

This course introduces somatic practices that train intuition and body awareness and enable a differentiated exploration of embodiment.<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05836\/<\/a><\/p>

Scores \u2013 Compositional Poetics & Collaborative Experiments<\/strong> (Mariella Greil-M\u00f6bius<\/a>)<\/p>

The course focuses on performative work with scores \u2013 including underscores, improvisational methods and approaches to real-time composition. These open structures enable individual and collective explorations at the interface of artistic practice, perception and reflection.<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05837\/<\/a><\/p>

Performance und Raum<\/strong> (Peter Kozek)<\/a><\/p>

WHO ARE WE? The body as space and the space surrounding us as an extended body are the basic elements of the course in the coming summer semester.
How do interactions arise between us and the places we inhabit, use and work on? How can these dynamics be discussed, visualised and used constructively?<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S04103\/<\/a><\/p>

OPEN STAGE – offene Formate performativer R\u00e4ume<\/strong> (Peter Kozek)<\/a><\/p>

OPEN STAGE is a format that has been offering all interested students and teachers at the University of Applied Arts Vienna an open platform for several years now, allowing them to stage performances in a simple setting (lighting, sound, space, etc.).<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05835\/<\/a><\/p>

Embodied Media<\/strong> (Stefano D\u2019Alessio)<\/a><\/p>

You’ll learn how to interactively connect a performer’s body to visuals and sounds. Instead of using knobs, buttons, and staring at screens, you’ll perform with audio and visuals through dynamic bodily actions. We\u2019ll focus on simple and effective ways to harness embodied interactivity to control media in real-time using cameras and microphones to interpret body movements and voice.<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05420\/<\/a><\/p>

BECOMING TOGETHER. Performance as a Critical Laboratory of Reasons<\/strong> (Krassimira Kruschkova)<\/a>
Der Kurs adressiert eine kritische Performance-Praxis, die aus Differenz gemacht und als Krise gedacht ist. Sie ist weniger spektakul\u00e4r, vielmehr spekulativ und spektral, von unfassbaren und dringenden Dingen \u2013 menschlichen wie anders-als-menschlichen \u2013 heimgesucht, denen sie Stimme zu verleihen versucht.<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05421\/<\/a><\/p>

(Diverse) Agents in Motion. On Animation and Animism in film, art & performance.<\/strong> (Katherina Zakravsky)<\/a><\/p>

This artistic seminar is intended as a broad, transdisciplinary introduction covering significant areas connected to performance studies. The individual units are devoted to various subject areas, in particular film, media and performance studies, ethnology, philosophy, cultural history and science studies. The focus, however, is on a specific research question: How do we understand the role of the agent?<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05983\/<\/a><\/p>

The lake, the mountain, the forest & I<\/strong> (Pieter Ampe)<\/a><\/p>

Do you freeze or flourish when someone would push you on a stage and say do something. What if you ‘d consider the stage is everywhere ? What is our ability to perform in any given circumstance both physical and imaginary ? The lake, the mountain or the forest are places I relate to as spaces of relaxation, rather the opposite of a performance stage.<\/p>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2026S\/S05696\/<\/a><\/p>

List of further courses and seminars related to performance practices in 2026 SS<\/h2>

Institut f\u00fcr Bildende und Mediale Kunst<\/h2>

Digitale Kunst<\/h3>

Digital Sound & Voice<\/a> \u2013 Thomas Felderer<\/p>

Kollaboratives und disloziertes Arbeiten<\/a> \u2013 Roland Sch\u00f6ny<\/p>

Ortsbezogene Kunst<\/h3>


K\u00fcnstlerische Praxis: digitale Formate 1 <\/a> \u2013 Flora Watzal<\/p>

B\u00fchnen- und Filmgestaltung<\/h3>

Produktionstechnik f\u00fcr B\u00fchnenraum<\/a> \u2013 Jakob Brossmann<\/p>

Video, neue Medien<\/a> \u2013 Marvin Jourdan Gierlinger<\/p>

Transmediale Kunst<\/h3>

Die Zeichnung II<\/a> \u2013 Nikolaus Gansterer<\/p>

Digitale Performance II<\/a> \u2013 Alexander Martinz<\/p>

Ton, Klang und akustische Gestaltung II<\/a> \u2013 Alexander Martinz<\/p>

Digitaler Entwurf und Virtualit\u00e4t II<\/a> \u2013 Martina Menegon<\/p>

TransArts<\/h3>

“Hybride Instrumente” – Grenzverschiebungen zwischen K\u00f6rper und Objekt<\/a> \u2013 Barbis Ruder<\/p>

Institut f\u00fcr Kunstwissenschaften, Kunstp\u00e4dagogik und Kunstvermittlung<\/h2>

Kunst und Kommunikative Praxis<\/h3>

Technologien\/Praxen | Sounding Research <\/a>\u2013 Ricarda Denzer<\/p>

K\u00fcnstlerische Projektarbeit | Kunst und Prozess <\/a> \u2013 Ricarda Denzer<\/p>

K\u00fcnstlerische Projektarbeit \u2013 K\u00fcnstlerische Forschung \u2013 Traces of Spaces: Practices of Field Recording<\/a> \u2013 Nikolaus Gansterer<\/p>

Technologien\/Praxen | K\u00fcnstlerische Forschung \u2013 Traces of Spaces: Practices of Field Recording<\/a> \u2013 Nikolaus Gansterer<\/p>

K\u00fcnstlerische Projektarbeit | <\/a>Forum\u00a0\u2013 Johannes Porsch<\/p>

K\u00fcnstlerische Projektarbeit | Performative Praxen |\u00a0K\u00fcnstlerische Projektarbeit<\/a> \u2013 Lucie Strecker<\/p>

Performative Praxen | K\u00fcnstlerisches Projektseminar<\/a> \u2013 Lucie Strecker<\/p>

Performative Praxen (Einf\u00fchrung) | Technologien\/Praxen<\/a> \u2013 Lucie Strecker<\/p>

Performative Praxen| Technologien\/Praxen<\/a> \u2013 Lucie Strecker<\/p>

Institut f\u00fcr Sprachkunst<\/h2>

Individuelle Produktion<\/a> \u2013 Gerhild Steinbuch<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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List of APL's courses and seminars in 2025 WS\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Somatics and Embodiment<\/strong> (Mariella Greil-M\u00f6bius<\/a>)<\/p>

08 October 2025<\/strong>, 15:00\u201318:00, TanzQuartier Wien (special event: Shaken Grounds \u2013 Trembling Bodies)
21 October\u201316 December 2025<\/strong>, Tuesdays, 10:00\u201311:30, APL Studio, Georg-Coch-Platz 2 (mezzanine)
13 & 20 January 2026<\/strong>, 10:00\u201311:30;
27 January 2026<\/strong>, 10:00\u201311:30 (course end)<\/p>

The course introduces somatic practices that cultivate intuition and body awareness through touch, imagery and applied anatomy. Participants examine habits and expand movement ranges toward integrated, conscious performative actions, relating techniques (e.g., ideokinesis, fascia\/myoreflex work, BMC) to concepts such as gravity, space and momentum. Somatic processes are framed as tools for individual and collective artistic research.<\/div>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2025W\/S05836\/<\/a><\/p>

Scores \u2013 Compositional Poetics & Collaborative Experiments<\/strong> (Mariella Greil-M\u00f6bius<\/a>)<\/p>

08 October 2025<\/strong>, 15:00\u201318:00, TanzQuartier Wien (special event: Shaken Grounds \u2013 Trembling Bodies)
21 October\u201316 December 2025<\/strong>, Tuesdays, 11:45\u201313:15, APL Studio, Georg-Coch-Platz 2 (mezzanine)
13 & 20 January 2026<\/strong>, 11:45\u201313:15
27 January 2026<\/strong>, 11:45\u201313:15 (completion)<\/p>

Practice-led exploration of scores (underscore, improvisation, real-time composition) as dynamic tools that weave aesthetic action, somatic experience and compositional decision-making. Students develop, apply and analyse scores, testing performative processes and learning through collaborative exchange; partial links to the artistic research project \u201cShaken Grounds.\u201d<\/div>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2025W\/S05837\/<\/a><\/p>

Resonance & collective Improvisation<\/strong> (Timothy Nouzak<\/a>)<\/p>

09 October 2025<\/strong>, 17:30\u201318:30 (preliminary discussion), APL Studio, Georg-Coch-Platz 2 (mezzanine)
16 October\u201318 December 2025<\/strong>, Thursdays, 17:30\u201319:00<\/p>

Starting from Hartmut Rosa\u2019s notion of resonance, improvisation is treated as a social practice of collectively \u201csearching and finding.\u201d The seminar introduces compositional ideas that consider the collective experience choreographically, moving from guided to self-devised techniques to perceive and transform space through performative impulses.<\/div>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2025W\/S05695\/<\/a><\/p>

Performance und Raum<\/strong> (Peter Kozek<\/a>)<\/p>

14 October 2025\u201327 January 2026<\/strong>, Tuesdays, 17:00\u201318:30, APL Studio, Georg-Coch-Platz 2 (mezzanine)<\/p>

The seminar explores the body as space and space as an extended body. How do interactions emerge between us and the places we inhabit, and how can these dynamics be discussed, visualised and used constructively? Participants develop individual performative concepts, exchange feedback in group, and consider presentation formats toward semester\u2019s end.<\/div>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2025W\/S04103\/<\/a><\/p>

Embodied Media<\/strong> (Stefano D\u2019Alessio<\/a>)<\/p>

03 October 2025<\/strong>, 15:00\u201317:00, APL, Georg-Coch-Platz 2 (intro; bring laptop)
10\/17\/24\/31 October 2025<\/strong>, 14:00\u201317:00
21 & 28 November 2025<\/strong>, 14:00\u201317:00 (28 Nov: examination)<\/p>

Composing and performing with audio-visual media in time. Participants build a real-time multimedia environment for embodied interaction, working hands-on with a tailored software library to minimise coding and maximise experimentation (composition, musical structures, dramaturgy, gesture-based performance).<\/div>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2025W\/S05420\/<\/a><\/p>

BECOMING TOGETHER. Performance as a Critical Laboratory of Reasons<\/strong> (Krassimira Kruschkova<\/a>)<\/p>

weekly Fridays<\/strong>, 10:00\u201312:00; first session
10 October 2025<\/strong> (mandatory), Seminar Room 34, Georg-Coch-Platz 2 (mezzanine)<\/p>

Examines contemporary performance as both \u201clabour\u201d and \u201clab,\u201d where theory and practice move through one another. From Derrida\u2019s deconstruction to Barad\u2019s agential realism, the course rethinks agency away from doxa toward paradox, addressing more-than-human bodies, intra-action, and the political potentials of performance between activism and art; also touches on artistic research as intra-activity between art and research.<\/div>

More info & ways to join here: https:\/\/base.uni-ak.ac.at\/courses\/2025W\/S05421\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0<\/h2>

List of further courses and seminars related to performance practices in 2025 WS<\/h2>

Institut f\u00fcr Bildende und Mediale Kunst<\/b><\/h2>

Digitale Kunst<\/b><\/h3>