{"id":74,"date":"2019-11-09T10:59:13","date_gmt":"2019-11-09T10:59:13","guid":{"rendered":"https:\/\/apl.uni-ak.ac.at\/?page_id=74"},"modified":"2026-02-10T12:58:30","modified_gmt":"2026-02-10T12:58:30","slug":"about","status":"publish","type":"page","link":"https:\/\/apl.uni-ak.ac.at\/index.php\/about\/","title":{"rendered":"About APL"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"74\" class=\"elementor elementor-74\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1632fe77 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1632fe77\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-694999c7\" data-id=\"694999c7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-326278c2 elementor-widget elementor-widget-text-editor\" data-id=\"326278c2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>The<\/strong><strong> Angewandte Performance Laboratory<\/strong><strong>(APL)<\/strong><\/p>\n<p>The Angewandte Performance Laboratory (APL) is a transversal platform for promoting performative art forms at the Angewandte.<\/p>\n<p>Performative practices and notions of performativity are recognized as full-fledged aspects of contemporary art and design. It is in this perspective that key-actors of the University&nbsp;of Applied Arts Vienna are launching the Angewandte Performance Lab (APL). The APL is a transversal artistic research and education platform that focusses on the relationship between the body, perception, and the arts and society in a post-digital context. Its purpose is to serve as an incubator to promote performance as an artistic medium and as a field of research.<\/p>\n<p>By combining in-house and international expertise, the APL offers body training practices; digital performance workshops; conferences, symposia, and publications; master classes and presentations by guest artists; project development; and a forum for public presentations.<\/p>\n<p>The APL supports the diversity of distinctive approaches while facilitating their convergence through interdepartmental collaboration in:<\/p>\n<ul>\n<li>Socio-cultural, political, and site-specific interventions<\/li>\n<li>Somatic&nbsp;practices, improvisation, and notation strategies<\/li>\n<li>Hybridization and performativity of media and technologies<\/li>\n<li>Agency of the living and non-living<\/li>\n<li>Historical and investigative dimensions of performance<\/li>\n<\/ul>\n<p>The APL initiated this dialogue in the year 2019.<\/p>\n<p><strong>Initiated and coordinated by the vice rectorat for research and diversity: Barbara Putz-Plecko<\/strong><\/p>\n<p><strong>developing working group<\/strong><\/p>\n<p><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Daniel Aschwanden (2019 &#8211; 2021), Ricarda Denzer (since 2021), Nikolaus Gansterer (since 2019), Philipp Gehmacher (2021 &#8211; 2022), Asher O\u2019Gorman (since 2021), Mariella Greil (since 2019), Peter Kozek (since 2019), Martin Kusch (2019 &#8211; 2021),&nbsp;<\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><span style=\"font-family: 'Helvetica Neue';\">Daria Lytvynenko (since 2022),<\/span><\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Timothy Nouzak (since 2022), Marie-Claude Poulin (2019 -2021),&nbsp;<\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: medium;\"><span style=\"font-size: 12pt; font-family: 'Helvetica Neue';\">Jianan Qu (2022-2024),&nbsp;<\/span><\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Ulla Rauter (2020 -2021) Barbis Ruder (2019-2024), Charlotta Ruth (since 2020) Jasmin Schaitl (since 2019), Lucie Strecker (since 2019)<\/i><\/p>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><strong>current working group<\/strong><\/span><\/p>\n<p><i>Stefano D&#8217;Alessio,&nbsp;<\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Ricarda Denzer, Nikolaus Gansterer, Asher O\u2019Gorman, Mariella Greil, Peter Kozek,&nbsp;<\/i><span style=\"font-style: italic; font-family: 'Helvetica Neue';\">Daria Lytvynenko,&nbsp;<\/span><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-style: italic;\">Timothy Nouzak,<\/span><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"> Charlotta Ruth, Jasmin Schaitl, Lucie Strecker<\/i><\/p>\n<hr>\n<p><strong>Das Angewandte Performance Laboratory<\/strong> <strong>(APL)<\/strong><\/p>\n<p>Das Angewandte Performance Laboratory (APL) ist eine transversale Plattform zur F\u00f6rderung der performativen Kunstformen an der Angewandten.<\/p>\n<p>Das Angewandte Performance Lab (APL)<br>Performance und Performativit\u00e4t sind l\u00e4ngst als integrale Aspekte zeitgen\u00f6ssischer Kunst und Design Praxen anerkannt. Daher gr\u00fcndete die Universit\u00e4t f\u00fcr Angewandte Kunst Wien das Angewandte Performance Laboratory (APL). Als transversale Plattform f\u00fcr Forschung und Lehre, affirmiert das APL die Beziehung von K\u00f6rper, Wahrnehmung und Kunst und Gesellschaft in post-digitalen Kontexten. Das APL dient der F\u00f6rderung von Performance als k\u00fcnstlerischer Ausdrucksform und Methode der Forschung. Die B\u00fcndelung universit\u00e4tsinterner und internationaler Expertisen erm\u00f6glicht professionelle somatische Trainings; digitale Performance Workshops; themenspezifische Konferenzen und Symposien; Publikationen; Gastvortr\u00e4ge; Projektentwicklungen und ein Forum f\u00fcr \u00f6ffentliche Pr\u00e4sentationen.<br>Das APL unterst\u00fctzt die Vielfalt unterschiedlicher Ans\u00e4tze durch die Zusammenarbeit zwischen den Abteilungen bei:<\/p>\n<ul>\n<li>Sozio-kulturellen, politischen und ortsspezifischen Interventionen<\/li>\n<li>Somatischen Praxen, Improvisationen und Systemen der choreografischen Notation<\/li>\n<li>Hybridisierung und Performativit\u00e4t der Medien und Technologien<\/li>\n<li>Fragen zu menschlichen und nichtmenschlichen Handlungspotentialen<\/li>\n<li>Geschichtlichen und theoretisch forschenden Aspekten von Performance<\/li>\n<\/ul>\n<p>Das APL hat diesen Dialog im Jahr 2019 begonnen und bietet aktuell eine \u00dcbersicht der bestehenden Lehrveranstaltungen in Performance an der Angewandten, individuelles Coaching und Veranstaltungen.<\/p>\n<p><strong>Initiiert und koordiniert von der Vizerektorin f\u00fcr Forschung und Diversit\u00e4t: Barbara Putz-Plecko<\/strong><\/p>\n<p><strong>entwickelnde Arbeitsgruppe<\/strong><br><i>Daniel Aschwanden (2019 &#8211; 2021), Ricarda Denzer (seit 2021), Nikolaus Gansterer (seit 2019), Philipp Gehmacher (2021 &#8211; 2022), Asher O\u2019Gorman (seit 2021), Mariella Greil (seit 2019), Peter Kozek (seit 2019), Martin Kusch (2019 &#8211; 2021),&nbsp;<\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><span style=\"font-family: 'Helvetica Neue';\">Daria Lytvynenko (seit 2022),<\/span><\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Timothy Nouzak (seit 2022), Marie-Claude Poulin (2019 -2021),&nbsp;<\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: medium;\"><span style=\"font-size: 12pt; font-family: 'Helvetica Neue';\">Jianan Qu (2022-24),&nbsp;<\/span><\/i><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Ulla Rauter (2020 -2021) Barbis Ruder (seit 2019 &#8211; 2024), Charlotta Ruth (seit 2020) Jasmin Schaitl (seit 2019), Lucie Strecker (seit 2019)<\/i><\/p>\n<p><strong>aktuelle Arbeitsgruppe<\/strong><br><i>Stefano D&#8217;Alessio,&nbsp;<\/i><i>Ricarda Denzer, Nikolaus Gansterer, Asher O\u2019Gorman, Mariella Greil, Peter Kozek,&nbsp;<\/i><span style=\"font-style: italic; font-family: 'Helvetica Neue';\">Daria Lytvynenko,&nbsp;<\/span><span style=\"font-style: italic; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">Timothy Nouzak<\/span><i style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">, Charlotta Ruth, Jasmin Schaitl, Lucie Strecker,&nbsp;<\/span><\/i><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The Angewandte Performance Laboratory(APL) The Angewandte Performance Laboratory (APL) is a transversal platform for promoting performative art forms at the Angewandte. 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